Old School Hiphop Rap



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  1. Old School Hip Hop Playlist
  2. Old School Hip Hop Videos
  3. 80s Rap Songs Old School
  4. Old School Hip Hop/rap/r&b Mix (vol. 1)

Press play on the ultimate old-school Hip Hop playlist below: DMX - 'Ruff Ryders Anthem' Back in 1998, DMX dropped a timeless Hip Hop classic, taken from his fourth studio album. The hip hop community has lost another of its legends. Jeffrey Campbell, better known as The Educated Rapper from UTFO, passed away over the weekend. No details are immediately available, but he was admitted into the hospital in grave condition a day earlier. UTFO DJ Mixmaster Ice posted the news on Twitter and Instagram.

Old-school hip hop
Stylistic origins
Cultural originsLate 1970s, The Bronx, New York City, U.S
Other topics

Old-school hip hop (also spelled old skool) is the earliest commercially recorded hip hop music. It typically refers to music created around 1979 to 1983.[1]

Old school hip hop rappers

The image, styles and sounds of old-school hip hop were exemplified by figures like Grandmaster Flash, Afrika Bambaataa, DJ Kool Herc, Treacherous Three, Funky Four Plus One, Kurtis Blow, The Sugarhill Gang, Melle Mel, Super-Wolf,[2]West Street Mob[3]Spoonie Gee, Kool Moe Dee,[4]Busy Bee Starski, Lovebug Starski, The Cold Crush Brothers, Warp 9, T-Ski Valley, Grandmaster Caz, Doug E. Fresh, The Sequence, Jazzy Jay, Rock Steady Crew, and Fab Five Freddy.[5] It is characterized by the simpler rapping techniques of the time and the general focus on party-related subject matter.[5] The lyrics were usually not a very important part of old-school rap songs. There were, however, exceptions such as Brother D's 'How We Gonna Make the Black Nation Rise?' and Kurtis Blow's 'Hard Times' (both released in 1980), that explored socially relevant ideas. The release of The Message in 1982 by Duke Bootee (who did nearly half the rapping and the rest by Melle Mel) and Melle Mel, although released as by Grandmaster Flash and The Furious Five, marked the arrival of hip hop as social commentary, making it possible for future artists like Public Enemy and N.W.A to create an identity based on socially conscious themes in later years.[6] Old-school rappers are widely respected by current hip hop artists and fans, with many claiming they have contributed to the evolution of hip-hop.[7]

Musical characteristics and themes[edit]

The very first crossover rap single, 'The Breaks' (1980) is exemplary of old-school hip hop. It features a repetitive funk guitar riff, popping bassline, and party noise in the background. Kurtis Blow's playful rapping features simplistic rhyme patterns, with cadences that fall squarely on the beat, followed by breakdowns. His anthemic lyrical content retains a social conscience that is both comedic and cautionary.
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Old-school hip hop is noted for its relatively simple rapping techniques, compared to later hip hop music.[5] Artists such as Melle Mel would use few syllables per bar of music,[8] with simple rhythms[5][8] and a moderate tempo.[9]

Much of the subject matter of old-school hip hop centers around partying and having a good time.[5] In the book How to Rap, Immortal Technique explains how party content played a big part in old-school hip hop: 'hip-hop was born in an era of social turmoil... in the same way that slaves used to sing songs on a plantation... that's the party songs that we used to have'.[10]

Battle rap was also a part of the old-school hip hop aesthetic. While discussing battle rapping, Esoteric said, 'a lot of my stuff stems from old school hip-hop, braggadocio ethic'.[11] A famous old-school hip hop battle occurred in December 1981, when Kool Moe Dee challenged Busy Bee Starski.[12] Busy Bee Starski's defeat by the more complex raps of Kool Moe Dee meant that 'no longer was an MC just a crowd-pleasing comedian with a slick tongue; he was a commentator and a storyteller'.[12] in the documentary Beef, KRS-One also credits this as creating a shift in rapping.[13]

Sci-fi/Afrofuturism was another theme introduced into hip hop. The release of Planet Rock in 1982 was a game-changer, like 'a light being switched on.'[14] The combination of electronic percussive propulsion and Afrika Bambaataa's rap sounded like 'an orchestra being rocketed into outer space.'[15] 'Light Years Away', by Warp 9 (1983), produced and written by Lotti Golden and Richard Scher, explored social commentary from a sci-fi perspective.[16] A 'cornerstone of early 80's beatbox afrofuturism', 'Light Years Away' is characterized as 'a brilliantly spare and sparse piece of electro hip-hop traversing inner and outer space.'[17]

Old School Hip Hop Playlist

Freestyle rap during hip hop's old-school era was defined differently than it is today. Kool Moe Dee refers to this earlier definition in his book There's a God on the Mic: 'There are two types of freestyle. There's an old-school freestyle that's basically rhymes that you've written that may not have anything to do with any subject or that goes all over the place. Then there's freestyle where you come off the top of the head'.[18] In old-school hip hop, Kool Moe Dee says that improvisational rapping was instead called 'coming off the top of the head'.[19] He refers to this as 'the real old-school freestyle'.[20] This is in contrast to the more recent definition defining freestyle rap as 'improvisational rap like a jazz solo'.[21]

RolandTR-808drum machine rhythm with accent trigger used in hip-hop musical context
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Old-school hip hop often sampled disco and funk tracks, such as 'Good Times' by Chic, when performed live in the 1970s. Recorded hip hop (such as Sugarhill Gang's 'Rapper's Delight)' would use a live band to do covers of the famous breaks from the 1970s block parties. However, after Planet Rock, electro-funk (the electronic Roland TR-808drum machine recreation of the original 1970s breakbeat sound from the now infamous block parties) became the staple production technique between 1982 and 1986 (the invention of the sampler later in the 80s and Eric B & Rakim's Eric B for president brought the original 1970s break beat sound back to hip hop, referred to today as the 'boom-bap' sound). The use of extended percussion breaks led to the development of mixing and scratching techniques. Scratching was pioneered by Grand Wizard Theodore in 1975, and the technique was further developed by other prominent DJs, such as Grandmaster Flash. One example is 'Adventures on the Wheels of Steel', which was composed entirely by Flash on the turntables.

Quincy Jones was an influential figure in hip hop as a record producer for Mercury Records, and eventually became its vice president, which made him popular in hip hop culture. He went on to publish Vibe magazine, which became a cornerstone in hip hop history.

History[edit]

Old School Hip Hop Videos

Old school hip hop rappers names

Old-school hip hop typically refers to music created around 1979; however, the term may also be applied to music before this with hip-hop styles. 'Here Comes the Judge' (1968) by Pigmeat Markham is often referred to as 'old-school hip hop'.[22]

See also[edit]

References[edit]

  1. ^Toop, David (2000), Rap Attack (3rd. ed.), Serpent's Tail, p. Back matter, Old school rap, the music of 1979 to 1983...
  2. ^url=https://www.allmusic.com/artist/super-wolf-mn0000751273 | title=Super Wolf |
  3. ^'Break Dance Electric Boogie', Sugarhill Records
  4. ^Soul hit 'Wild Wild West', 1988
  5. ^ abcdehttps://www.allmusic.com/explore/style/d2926
  6. ^Gross, Terry 'The History of Hip-Hop.[1]'
  7. ^HipHopGoldenAge '10 Important Old School Hip Hop Songs [2]'
  8. ^ abEdwards, Paul (2009). How to Rap: The Art & Science of the Hip-Hop MC. Chicago Review Press., p. 126.
  9. ^Neumann, Frederich (2000). 'Hip hop: Origins, Characteristics and Creative Processes'. The World of Music. VWB - Verlag für Wissenschaft und Bildung. 42 (1): 51–63. ISSN0043-8774. JSTOR41699313.
  10. ^Edwards 2009, p. 19.
  11. ^Edwards 2009, p. 26.
  12. ^ ab'Blow Average'.
  13. ^Beef documentary, 2003, Peter Spirer, Aslan Productions.
  14. ^Toop, David (2000), with electro elements being utililzed in hip hop.Rap Attack 3: African Rap To Global Hip Hop. (Expanded Third Edition) Serpent's Tail, London N4 2BT pp. 131,146 ISBN1-85242-627-6.
  15. ^Toop, David (2000). Rap Attack 3: African Rap To Global Hip Hop. (Expanded Third Edition) Serpent's Tail, London N4 2BT pp. 146, 148, 150-151 ISBN1-85242-627-6.
  16. ^Fitzpatrick, Rob, 'The 101 strangest records on Spotify: Warp 9 - It's A Beat Wave', May 14, 2014 [3]
  17. ^Fitzpatrick, Rob (14 May 2014). 'The 101 strangest records on Spotify: Warp 9 - It's A Beat Wave'. the Guardian. Retrieved 19 March 2018.
  18. ^Kool Moe Dee (2003). There's a God on the Mic: The True 50 Greatest MCs. Thunder's Mouth Press., p. 101.
  19. ^Kool Moe Dee 2003, p. 22, 23, 201, 292, 306.
  20. ^Kool Moe Dee 2003, p. 228.
  21. ^Edwards 2009, p. 182.
  22. ^http://www.xxlmag.com Did Pigmeat Release First Hip-Hop Song? (14 April 2011)

80s Rap Songs Old School

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Old School Hip Hop/rap/r&b Mix (vol. 1)

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Rap music has always existed as an element of Hip Hop since the culture's birth in the early 1970s. The first rappers (called MCs) would rap over funk, reggae, dub, soul, and disco beats and would hold spontaneous rhyming battles that were meant to verbally attack an opponent called 'freestyles' (freestyling and flowing were words used to describe the impromptu vocal delivery). Artists that laid the template for such aggressive spoken word set to a funky beat include James Brown, Gil Scott-Heron, The Watts Prophets, and The Last Poets.
By the spring of 1979, the first rap record surfaced with funk band The Fatback Band's 'King Tim IIII (Personality Jock)'. Later, The Sugar Hill Gang debuted in the summer with Hip Hop's most famous commercial record yet,'Rapper's Delight'. This list targets critical Hip Hop records during the old school era (1979-roughly 1985) before the revolution of 'cut-n-paste' music and Run-D.M.C.'s seminal Hip Hop anthem 'Walk This Way' in 1986.
REMEMBER:
Hip Hop is first and foremost a culture with five important elements: the b-boys (break dancers), Graffiti/Aerosol artists, MCs, DJs, and the beatboxers. Knowledge and understanding and respect for Hip Hop and its roots are vital.

Last Updated: 2005-12-11
Hip Hop music on record is born by Fatback Band's 'King Tim III', Younger Generation's 'We Rap More Mellow', and The Sugarhill Gang's 'Rapper's Delight' (Hip Hop legend Grandmaster Caz wrote the lyrics but never got credit). Important artists such as Kurtis Blow and Grandmaster Flash also begin their careers, and some of the first socio-political-conscious records arise on the Paul Winley label through chiefly Tanya Winley. Philadelphia's legendary radio personality Lady B becomes the first female rapper to have a record, and Steve Gordon's 'Take My Rap' is considered to be the first white rap record. Afro-Filipino Joe Bataan creates a hit with his 'Rap-O, Clap-O', the first signs of Hip Hop's diversity. Enjoy Records and Sugar Hill Records become the defining Hip Hop labels of the old school era.
1. Rapper's Delight - The Sugar Hill Gang
2. King Tim III (Personality Jock) - Fatback Band
3. Rappin' and Rocking the House - Funky Four Plus One
4. Christmas Rappin' - Kurtis Blow
5. Superrappin' - Grandmaster Flash & The Furious Five
6. To the Beat Y'All - Lady B
7. We Rap More Mellow - Younger Generation (a.k.a. Grandmaster Flash, et al)
8. Rhythm Talk - Jocko
9. Rhymin' and Rappin' - Paulette and Tanya Winley
10. Rap-O, Clap-O - Joe Bataan
11. Lady D - Lady D
12. Jazzy 4 MCs - MC Rock
13. Rhapazooty in Blue - Sickle Cell and Rhapazooty
14. Spiderap - Ron Hunt
15. Looking Good (Shake Your Body) - Eddie Cheba
Honorable Mention: Take My Rap...Please - Steve Gordon & The Koshers
This is Kurtis Blow's year. He becomes the first rapper signed to a major record label, Mercury Records, where his song 'The Breaks' becomes a certified gold record. He is the first to release a Hip Hop album, to embark on a Hip Hop tour, to be featured on television ('Soul Train' in October), and the first to give rap mainstream marketability (he also opened up for The Commodores and Bob Marley on tour). Rap is still seen as a fad although several disco-Hip Hop hybrids prove successful such as 'Funk You Up', 'Zulu Nation Throwdown Part I', 'The New Rap Language', and 'Monster Jam'. Casper has the first rap record in Chicago, and The Sequence become the first all-female rap crew on record. Treacherous Three's 'Body Rock' is the first Hip Hop song to use rock guitars, and Blondie member Deborah Harry's 'Rapture' is the first massive Hip Hop record done by a white artist.
1. The Breaks - Kurtis Blow
2. The New Rap Language - Spoonie Gee and The Treacherous Three
3. Zulu Nation Throwdown Part I - Afrika Bambaataa & Cosmic Force
4. Funk You Up - The Sequence
5. Monster Jam - Spoonie Gee and The Sequence
6. Rapture - Blondie
7. 8th Wonder - The Sugarhill Gang
8. Freedom - Grandmaster Flash & The Furious Five
9. Love Rap - Spoonie Gee and The Treacherous Three
10. Adventures of Super Rhyme (Rap) - Jimmy Spicer
11. Death Mix - Afrika Bambaataa
12. Spoonin' Rap - Spoonie Gee
13. Body Rock - The Treacherous Three
14. Vicious Rap - Tanya Winley
15. How We Gonna Make the Black Nation Rise? - Brother D with Collective Effort
Honorable Mention: Papa Dean - Sister Nancy
Another great year for Hip Hop. Funky Four Plus One's 'That's the Joint' becomes a seminal all-time classic record and the first Hip Hop group to perform on national television (Saturday Night Live). Grandmaster Flash's 'The Adventures...' and Afrika Bambaataa's 'Jazzy Sensation' are landmark recordings as well. Disco Daddy & Captain Rapp birth the first West Coast record, and the go-go group Trouble Funk has a success with its hybrid song 'Drop the Bomb'. Mean Machine's 'Disco Dream' is the first Latin rap record, and The Evasions 'Wikka Rap' is a British Hip Hop pioneering classic. Cybotron, the future creators of the electronic variant techno, usher in the Kraftwerk-inspired 'Alleys of our Mind'.
1. That's the Joint - Funky Four Plus One
2. The Adventures of Grandmaster Flash on the Wheels of Steel
- Grandmaster Flash & The Furious Five

3. Jazzy Sensation - Afrika Bambaataa
4. Gigolo Rapp - Disco Daddy & Captain Rapp
5. Feel the Heartbeat - The Treacherous Three
6. Apache - The Sugarhill Gang
7. Do It, Do It - Disco 4
8. Let's Dance (Make Your Body Move) - West Mob
9. Rappin' Ain't No Thang - The Boogie Boys
10. A Heartbeat Rap - Sweet G
11. Drop the Bomb - Trouble Funk
12. Wikka Rap - The Evasions
13. Disco Dream - Mean Machine
14. Alleys of Your Mind - Cybotron
15. It's Rockin' Time - Kool Kyle the Starchild
This is the year of seminal rap and the birth of a new genre in Hip Hop: electro-funk, initiated by Afrika Bambaataa's & The Soul Sonic Force's 'Planet Rock', the most sampled Hip Hop record of all time (James Brown's 'Funky Drummer' is the most sampled record in Hip Hop). There is a great revival of interest in the Hip Hop elements, and this subgenre steers the music away from pure disco beats. The other most important Hip Hop record of all time is Grandmaster Flash & The Furious Five's 'The Message' which jumpstarts political/social rap. The Cold Crush Brother's 'Punk Rock Rap' is another record that fuses Hip Hop with rock, and Afrika Bambaataa & The Soul Sonic Force's 'Looking for the Perfect Beat' is another seminal all-time Hip Hop classic. The first strands of Hip Hop soul also arise out of artists such as Planet Patrol and C-Bank ('One More Shot'), and the 'Smurf' craze becomes one of Hip Hop's most important trends.
1. The Message - Grandmaster Flash & The Furious Five
1. Planet Rock - Afrika Bambaataa & The Soul Sonic Force
3. Looking for the Perfect Beat - Afrika Bambaataa & The Soul Sonic Force
4. Play At Your Own Risk - Planet Patrol
5. Punk Rock Rap - Cold Crush Brothers
6. Rockin' It - The Fearless Four
7. Country, Rock, and Rap - Disco 4
8. Pac Jam (Look Out for the OVC) - The Jonzun Crew
9. Walking on Sunshine - Rocker's Revenge feat. Donnie Calvin
10. The Smurf - Tyrone Brunson
11. Magic's Wand - Whodini
12. Change the Beat - Fab 5 Freddy
13. Scorpio - Grandmaster Flash & The Furious Five
14. Body Mechanic - Quadrant Six
15. It's Magic - The Fearless 4
Honorable Mention: E.T. Boogie - Extra T's
Another successful year for Hip Hop. Jazz legend Herbie Hancock and Grandmaster D.St. release the electro-funk Grammy winning 'Rockit' while Grandmaster Flash & The Furious Five release their second most important recording that ranks with Afrika Bambaataa's 'Looking for the Perfect Beat': 'White Lines (Don't Do It)'. Man Parrish also releases the seminal 'Hip Hop, Be Bop (Don't Stop)'. More importantly, Run-D.M.C. debut with 'It's Like That/Sucker MCs' single and begin their conquest as Hip Hop's biggest and most influential group of all time ('Sucker MCs' is regarded as the first hardcore rap track). T. La Rock & Jazzy Jay kick start Hip Hop's biggest record label, Def Jam, as Ice T. debuts with the first 'hardcore' rap as do punk rockers Beastie Boys with their first rap record 'Cooky Puss'. Kraftwerk venture into Hip Hop with 'Tour De France', and Cybotron birth techno with their electro-funk anthem 'Clear'. Electro-funk remains prosperous as the Hip Hop soul movement grows with C-Bank which foreshadows Shannon's 'Let the Music Play' which truly begins another Hip Hop variant born out of electro-funk: freestyle music or Latin Hip Hop.
1. Rockit - Herbie Hancock and Grandmaster D.St.
2. White Lines (Don't Do It) - Grandmaster Flash & The Furious Five
3. It's Like That/Sucker MCs - Run-D.M.C.
4. Hip Hop, Be Bop (Don't Stop) - Man Parrish
5. Al Naafiysh (The Soul) - Hashim
6. Clear - Cybotron
7. Buffalo Gals - Malcolm McLaren & The World's Famous Supreme Team
8. Lookout Weekend - Debbie Deb
9. It's Yours - T. La Rock & Jazzy Jay
10. No Sell Out - Malcolm X with Keith LeBlanc
11. The Payoff Mix - Mastermix of GLOBE and Whiz Kid's Play That Beat Mr. DJ
12. Jam on Revenge - Newcleus
13. Cooky Puss - Beastie Boys
14. Cold Winter Madness - Ice T
15. Play That Beat Mr. DJ - G.L.O.B.E. & Whiz Kid
Honorable Mention: King of the Beat - Pumpkin
Another healthy year. Run-D.M.C. continue to be a strong force in the post-seminal song era of Grandmaster Flash and Afrika Bambaataa, having their 'Rock Box' video being the first rap song played on MTV. Freestyle music flourishes with Alisha ('All Night Passion'), Debbie Deb, Shannon ('Give Me Tonight'), and Nayobe ('Please Don't Go'). Kurtis Blow releases the last batch of his greatest songs before fading, giving way to newcomer Doug E. Fresh and Whodini. U.T.F.O., originally backup singers for Whodini, record 'Roxanne, Roxanne' which creates the biggest and most influential all-time trend in Hip Hop. Somewhere between 50-100 response records ensue, and two of them ('The Real Roxanne' and 'Roxanne's Revenge') become massive classics, opening the door for female MCs to gain massive success in the future such as MC Lyte, Salt N Pepa, and Queen Latifah. 2 Live Crew's 'It's Gotta Be Fresh EP', released in late 1984, IS THE first significant Hip Hop record from the south and births what is know as Miami Bass, another Hip Hop variant alongside electro-funk and freestyle and early techno. Also, Afrika Bambaataa, 'The Godfather of Hip Hop', unites with 'The Godfather of Soul', James Brown, to record 'Unity' which later causes an explosion in the sampling of James Brown records, a vital Hip Hop feature. Divine Sounds score a hit with their Run-D.M.C.-like 'What People Do for Money' as The Fat Boys become the most comical characters in Hip Hop (later collaborating with The Beach Boys and Chubby 'The Twist' Checker).
1. Rock Box - Run-D.M.C.
2. Roxanne's Revenge - Roxanne Shante
3. Roxanne, Roxanne - U.T.F.O.
4. Freaks Come Out At Night - Whodini
5. Jam On It - Newcleus
6. Unity - Afrika Bambaataa and James Brown
7. One for the Treble - Davy DMX
8. The Real Roxanne - The Real Roxanne
9. When I Hear Music (It Makes Me Dance) - Debbie Deb
10. Egypt, Egypt - Egyptian Lover
11. Just Having Fun (Do the Beat Box) - Doug E. Fresh
12. Request Line - Rock Master Scott & The Dynamic Three
13. Jail House Rap - The Fat Boys
14. 8 Million Stories - Kurtis Blow
15. It's Gotta Be Fresh (Revelation/2 Live) - 2 Live Crew
Honorable Mention: What People Do for Money - Divine Sounds
Honorable Mention: Reckless - Chris 'The Glove' Taylor with Ice T and David Storrs
1985: The last great year of old school Hip Hop before the advent of overblown sampling and 'Walk This Way' which took Hip Hop into a new direction both musically and culturally. Toddy Tee releases a seminal West Coast jam that foreshadows 'gangsta' rap (along with rapper Schoolly D.'s 'PSK-What Does it Mean?'). Freestyle hits it big with Lisa Lisa & The Cult Jam, Nu Shooz ('I Can't Wait'), Connie ('Funky Little Beat') and Trinere ('All Night'). Miami Bass evolves and garners hits with records such as MC A.D.E.'s (Adrian Does Everything) 'Bass Rock Express'. Clearly, Doug E. Fresh, the king of beatboxing, owns the year 1985 as his records 'La Di Da Di' and 'The Show' took Hip Hop into a new direction and stand as massive influential classics.
1. The Show - Doug E. Fresh & The Get Fresh Crew
2. La Di Da Di - Doug E. Fresh & The Get Fresh Crew
3. I Can't Live Without My Radio - LL Cool J
4. I Need a Beat - LL Cool J
5. I Wonder If I Take You Home - Lisa Lisa & The Cult Jam
6. The Roof is on Fire - Rock Master Scott & The Dynamic Three
7. The Show Stoppa (Is Stupid Fresh) - Super Nature (Salt N Pepa)
8. P.S.K.-What Does It Mean? (Park Side Killers) - Schoolly D
9. Batterram - Toddy Tee a.k.a. Todd Howard
10. Alice, I Want You Just for Me - Full Force
11. Big Mouth - Whodini
12. Fresh is the Word - Mantronix
13. Don't Stop the Rock - Freestyle
14. Terminator - Kid Frost
15. A Fly Girl - The Boogie Boys
Honorable Mention: Bass Rock Express - MC A.D.E.
Honorable Mention: If I Ruled the World - Kurtis Blow
Honorable Mention: Girl (Cocaine) - Too Short
1. Let the Music Play (1983) - Shannon
2. I.O.U. (1983) - Freeez feat. John Rocca
3. Play At Your Own Risk (1982) - Planet Patrol
4. One More Shot (1982) - C-Bank feat. Jenny Burton
5. Walking on Sunshine (1982) - Rocker's Revenge feat. Donnie Calvin

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